Sunday, August 18, 2019

Brave New World Essay -- essays research papers fc

Alduos Huxley, in his science fiction novel Brave New World written in 1932, presents a horrifying view of a possible future in which comfort and happiness replace hard work and incentive as society's priorities. Mustapha Mond and John the Savage are the symbolic characters in the book with clashing views. Taking place in a London of the future, the people of Utopia mindlessly enjoy having no individuality. In Brave New World, Huxley's distortion of religion, human relationships and psychological training are very effective and contrast sharply with the literary realism found in the Savage Reservation. Huxley uses Brave New World to send out a message to the general public warning our society not to be so bent on the happiness and comfort that comes with scientific advancements. Huxley effectively uses distortion in Brave New World in his depiction of Soma as a replacement for religion. Soma is a rationed narcotic that is emphasized by the government to help the people escape from their problems. The people of Utopia have become dependent on the drug to keep them in a constant state of pleasure. In their "perfect" society there is no escape from happiness. The primary example of the degrading effects of Soma is Linda. Brought back from the Savage Reservation after being left behind pregnant, Linda faced many moral and ethical dilemmas she chose to avoid. Her addiction to Soma, which is looked upon as a good thing by everyone except John, brings about the terrible end to her life in which she was in a state of constant delusion. Soma, as Mustapha Mond puts it, is "Christianity without tears" (244). Soma, in effect, is the key to social stability in Utopia. Soma prevents uprisings, saves revolutions and suppresses emotions. Although Hu xley's distortion of religion is powerful, there are other strong arguments in the book. Huxley also uses distortion as a way to make people "see" in his depiction of human relationships. In the book, sex is looked upon as a tool for sharing with multiple partners. The frequency with which people sleep with each other is a disturbing aspect Huxley chooses to portray. Lenina Crowne symbolizes Huxley's portrayal of the complete lack of sexual morals and self-respect. Along with Soma, sexual promiscuity is another form in which the governm... ...George Orwell. Ed. Harold Bloom. New York: Chelsea House, 1986. 52-56. Gardner, Averil. George Orwell. Boston: Twayne, 1987. Harris, Roy. "The Misunderstanding of Newspeak." George Orwell. Ed. Harold Bloom. New York: Chelsea House, 1986. 31-34. Howe, Tom. "George Orwell." British Writers Volume VII. Ed. Ian Scott-Kilvert. New York: Scribner, 1984. 273-287. Kalechofsky, Roberta. George Orwell. Boston: Twayne, 1987. Rahv, Philip. "The Unfuture of Utopia." George Orwell. Ed. Harold Bloom. New York: Chelsea House, 1986. 102-105. Read, Herbert. "1984." George Orwell. Ed. Harold Bloom. New York: Chelsea House, 1986. 86-89. Reilly, Patrick. Nineteen Eighty Four - A Student's Companion to the Novel. Boston: Twayne, 1989. Reiff, Phillip. The Complete Guide to George Orwell. New York: Chelsea House, 1983. 39-49. Roazen, Antonio. Twentieth Century Literary Criticism Vol II: George Orwell. Detroit: Gale, 1979. Williams, T.J. Reader's Guide to Periodical Literature in English: George Orwell. Chicago: FD, 1996. Woodcock, George. "Nineteen Eighty-Four." Reference Guide to English Literature Vol III. Chicago: St. James, 1991. 61-63.

No comments:

Post a Comment

Note: Only a member of this blog may post a comment.